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Wednesday, August 09, 2017


 I also love to create Joomchi, although it requires a lot of patience to acquire this skill.  Joomchi is Korean papermaking using mulberry paper.  I took a mini workshop some years ago with Saaraliisa Ylitalo who did a presentation for our Potomac Fiber Guild and I became hooked.  I have received some interest from others wanting to learn and will teach a workshop in Charleston on September 23 - very excited!   The top piece is very delicate and I do love to experiment - I have created bowls also and continue to experiment.

These are book covers - and I water colored some inside book plates before adding the signature pages.  Patience pays off and very much like felting with wool, your hands have to learn as much as your head does!

Thursday, April 13, 2017

Loving Creating Wall Art

I haven't played with my Embellisher for a while now - of course felting is my first love; I get excited working with color and texture.  I always have to learn new things so I took a break and became obsessed with polymer clay and found I love making faces and fairies.  On top of that I have been trying many things - printing and painting on fabric, and stitching.  

I had so much fun creating "A Birds' Eye View' (see post below) that I've decided to create more mixed media wall art using some of the recent painting and stitching on fabric I've become enamored with.

This is a rose piece traced on fabric, painted with Inktense and free-motion stitched.  I am going to felt some surrounds using lots of silk and some velvet to create another wall piece of art.  I'd better get it done as I'm taking an encaustic art workshop and plan to spend next week experimenting!  I hope to incorporate some of my other work with wax!!!

I decided to try my hand at wall work and I entered a piece in a Bluffton, SC, show - the gallery, SOBA is such a busy place for tourists and locals as well and is located in the heart of Bluffton, close to restaurants and other shops so it is a good place to be so I decided it was time to join and be a part of that art community.  

The theme was 'on the street where we live' and I thought long and hard about how I could approach the theme and how I could make felting work.  On the street where we live in Habersham so many ideas came to mind, but a lot of artists already create art of trees, marsh, birds, dock,, etc.  I had a piece of white heavily textured nuno felt that I'd had for a while and wondered if I could somehow use that; I left it out for a while and studied it from time to time before I realized that one of the textured pieces running all the way down could very well be a river if it were blue so that started the juices flowing and I decided to use the felt much the way teach making my vests by cutting and moving sections, and creating other elements to use where they were needed. First I had to paint it so I did using acid dyes; I knew I wanted soft colors that would blend well together.  Then I used my Babylock Embellisher in some areas and added some free motion stitching along the river to give it more texture. I moved all of the scattered roses into one area to make a grouping and created a small shibori pleated piece (using the technique for one corner (could be sun rays but they are at the bottom - should have planned that better but that is where I needed it to be).  After all of that I mounted it on a blue silk hand dyed fabric covered canvas and named it 'Bird's Eye View of the Habersham Marsh'.  I was very honored when Jenni and I went to the reception that it won an Honorable Mention!  Not bad out of a hundred works!  Thanks to Jennifer for taking this picture as I forgot to take a head on picture of the piece, but next time I am there, I will because I want to remember the detail of the river and the marsh.  

Monday, January 09, 2017


Once I began playing with the clay, it began to speak to me - I became quite enamored with the work of Barbara McGuire's work - especially her faces.  I just fell in love with them and found an old book written by Barbara with a tutorial in the back for her face canes.  They are not easy to create and take quite a bit of clay, practice and effort.  Much like an artist learns by copying the masters at first before going on to make their own mark, I began studying Barbara's work.  Fairies have always spoken to me, in fact, they are here in my studio clamoring to be 'next' in line.  I'm sharing these because hopefully, one day, I will look back and see just how much I have improved!

Here are my first attempts and although they are far from perfect, I can't stop - there are others just waiting in the wings for their turn :-)  Honestly, I go to put it all away to felt and I come up with  one more idea and there goes another 7 or 8 hours.  Very good to keep ones mind occupied.

. . . . . and here are the first attempts - not a pretty sight!


As much as felting is my first passion, I love learning new things and have become quite obsessed with polymer clay.  The interest began with coming up with some sort of closure for the collars knitted with curls as I sat with Mom in the Kline Hospice House.  I could see that felted buttons would be lost and regular buttons would be blah - they needed something that made a statement and then my friend Pat Smith told me about a polymer clay technique named Mokume Gane.  When I get a new interest, it is full speed ahead and I read everything I could get my hands on, purchased books, viewed a myriad of videos on youtube and bought some as well.   Even with all that, next comes the hands on learning with quite a few disappointments as well as some quite thrilling results after a while.  I just loved that I could tailor the colors of the clay to complement the curls.

This is the first pendant that I made - I want to incorporate my felt with the clay and I was so pleased with the Pebeo paint I found.

Thursday, December 22, 2016


2016 has been a memorable and sad year for our family.  Those of you who know me, will know how much my Mom meant to me - she was truly my best friend and we are a very close family.  In July while I was visiting Maryland and, as always, stayed with my Mom; teaching in Alexandria always meant a great visit with Mom (we would go to dinner and shop too) while I got to do what I love - share my passion for felting/dyeing and, on top of that, my dear friend Pat Smith, always on hand to chauffeur me to and from class and her husband would even prepare lunch for us.  When I got to Maryland, I found that Mom was totally unwell and the day after I finished teaching, I insisted that we go to the Emergency Room; she usually balked at that idea but she was feeling so bad that she agreed.  Well, one thing led to another and after all the test results were in, it was found that she was indeed very very ill and wasn't going to be with us for very long.  Simultaneously, one of her younger sisters was very ill and in Hospice; it seemed as though they would not get to see each other again; however, through Divine Intervention, I am convinced, Mom ended up at the same fabulous Hospice in a room right next to her sister.  

Now there was no way that we could have made this happen as much as we wanted to as there were only six rooms in the Kline House - which is the most fabulous large Hospice House that you can imagine; but just when we were struggling to do the best for Mom (NO sticking her in some nursing home), word came that a room at the Kline House became available.  I was sooo very fortunate to be with her every step of the way and our family stepped up to the plate and made themselves available and to care for me and spend time with Mom at such an awful time.  Mom received the utmost care day and night; the staff was so loving and caring and for that we will be forever grateful.  In any event, she passed away with the family at her bedside on September 21, 2016,  Even though it was a difficult  2 1/2 months, we couldn't have asked for anything better for a 93 year old - but we are never ready to lose our Mom - it is so hard not to have her to call every evening and hear about her day as I have done for as long as I've been away from home - 54 years; a habit not easy to break.

I've been keeping myself busy so I hope to be back to blogging more regularly soon;and am busy planning for 2017!

Thursday, June 09, 2016



I was so impressed by the this fabulous event organized and hosted by Glenys Mann of Fibre Arts Australia, and I loved Australia.  From the moment I left the airport with Meg Lowry, a friend of Glenys who very kindly met me when I landed in Melbourne and hosted me for several days until we left for Ballarat which was about a 1 1/2 hour drive, I was in awe of the lush landscape - Eucalyptus trees everywhere!!!  Meg's garden was another story - she is quite the gardener and I wrote down two whole pages of fruit trees, vegetables, herbs, flowers and so many plants that I couldn't keep track; such a green thumb!!!   Meg is an artist who has such a flair for dyeing fabric and designing/sewing the most wonderful garments and was a fabulous hostess.  

Ballaret reminded me of the school in a Harry Potter movie - a lovely campus in the middle of town, within walking distance to shops although there wasn't a lot of time to go there.  I shared a house with four other teachers - two from the UK, one from Belgium and the other a Danish immigrant to Australia - what a wonderful creative group they were.  It was like being in college, taking turns with showers, eating in the dining room and going from building to building for various events.  I had the same eights students every day - They were all such a talented group of ladies - I could go on and on about how clever they were; included in the group was a mom and her two married daughters which was such a nice thing to share.  Several of the ladies did not have much felting or sewing experience but with a little direction, they created the most amazing designs!  The red, white and black coat was created by Peta Stuart, the green silk sari nuno on the far right is Zoe Fergusom's creation.  It was a lot of fun!

Port MacQuarie

When we were finished at Ballaret, I flew to Port MacQuarie, which is on the East Coast above Sydney to teach at the quilt shop 'Patchwork in Port' - Jennifer, the owner picked me up and took me to the Fergusons, Marilyn and Graham who had a very lovely home with a gorgeous view of the ocean; they were such generous and kind souls who took very good care of me - especially since I had some sort of stomach 'thingy' since I landed in Australia.  The view from my room looked over the loveliest garden and pool.  Jennifer took me out and about one day before class began and to dinner that evening.  We had 14 students (including 3 art teachers) and I admit I was a little worried what that many students could accomplish in just three days and how I could give them all special attention but all of them produced gorgeous vests.  Unfortunately, I don't have pictures of them (was too busy) but do have some in process - I hope this link to Facebook works

  This is 'rainbow Michelle' named because she had the prettiest rainbow dyed silk and wool.



2016 has been a whirled (as India Flint says) wind of a year beginning in January with "SATB" (Sewing at the Beach) -  held by the Stranded Smockers and Stitchers in Myrtle Beach since 1994.  The members do an outstanding job and the students I had were a joy; here are just a few of them showing how creative they were with the Baby Lock Embellisher, provided by Baby Lock USA.


In March, I conducted a two day eco printing workshop at Oatlands Museum in Savannah for the Fiber Guild of the Savannahs.  We were so fortunate to meet in the science lab and were able to do lots of experiments - the guild members were so enthusiastic and produced some fantastic results.  We used cochineal, osage orange and logwoodand an abundance of leaves, provided by the students.on paper, silk,cotton and wool.  The bundles were simmered or steamed and what fun to see what surprise awaits when opened